A recent ruling by a Brazilian judge has sent shockwaves through the music industry, as it mandates the global removal of Adele’s hit song, “Million Years Ago,” due to allegations of plagiarism. The decision stems from a complaint filed by Brazilian composer Toninho Geraes, who asserts that Adele’s 2015 track bears similarities to his samba classic “Mulheres” (Women), which was popularized by renowned Brazilian artist Martinho da Vila in a 1995 album.

The injunction, issued by Judge Victor Torres in Rio de Janeiro’s sixth commercial court, prohibits the Brazilian branches of major music labels Sony and Universal from using, reproducing, editing, distributing, or commercializing the song in any form, whether physical or digital. This includes streaming services, which have become a dominant platform for music consumption globally.

As a result of this ruling, the music labels face a hefty fine of $8,000 for each instance of non-compliance. However, both companies retain the right to appeal the decision, which adds an additional layer of complexity to the case.

Fredimio Trotta, the attorney representing Geraes, expressed optimism about the ruling, stating that it represents a significant moment for Brazilian music, which has often been appropriated in the creation of international hits. He emphasized the importance of ensuring that radio and television broadcasters, as well as streaming services worldwide, are informed of the Brazilian court’s decision.

Geraes is not only seeking the cessation of Adele’s song but is also pursuing financial compensation for lost royalties and moral damages, totaling approximately $160,000. Furthermore, he is demanding songwriting credit on the track, which could have substantial implications for Adele’s reputation and financial success.

This ruling may serve as a cautionary tale for international artists and producers who may consider drawing inspiration from Brazilian music. Trotta noted that the decision could deter foreign musicians from what he referred to as “parasitic use” of Brazilian melodies, urging them to think twice before incorporating such elements into their work.

The case has garnered significant media attention, particularly as Adele has faced similar accusations in the past. Turkish music fans previously claimed that her song “Set Fire to the Rain” bore similarities to a Turkish artist’s work, highlighting the ongoing global conversation about copyright and originality in the music industry.

As the legal proceedings unfold, the music community is watching closely to see how this case will impact the relationship between Brazilian composers and international artists. The outcome could set a precedent for future plagiarism claims and the treatment of cultural appropriation within the music industry.

In the wake of this ruling, the implications for Adele and her team remain uncertain. While they have yet to issue a public statement regarding the injunction, the pressure is mounting as the music labels navigate the complexities of the legal landscape. The case underscores the delicate balance between artistic inspiration and the protection of intellectual property rights, a topic that continues to spark debate among artists, legal experts, and fans alike.

As the situation develops, it raises important questions about the responsibilities of artists when drawing from diverse musical traditions. The music industry is in a constant state of evolution, and cases like this highlight the need for clear guidelines to protect both creators and their works.

For now, the fate of “Million Years Ago” hangs in the balance, and the outcome of this case could have far-reaching consequences for Adele, Geraes, and the broader music community.